How to Write a Novel in 11 Must-Do Steps [TEMPLATE]


If you misunderstand how to write a novel with the proper story structure, your book will never sell.

Harsh, but true. And that’s why we’re here to tell you the exact methods that skyrocketed the popularity of books like The Hunger Games and the Divergent series.

Thankfully, we’ve deconstructed some of the world’s most compelling stories, and then taught countless people how to write a novel that pulls readers in using the 5 Milestone Method—that we’ll teach you here.

If you’re ready to learn what it takes to write a great novel, stick around! We’re breaking down the 12 steps you NEED along with the most common questions we get.

Here are the steps for how to write a novel:

  1. Create the story idea & premise
  2. Develop characters
  3. Create your world
  4. Choose a point of view
  5. Outline your novel
  6. Write the first page
  7. Write The Setup
  8. Create The Inciting Incident
  9. Add the First Slap of a novel
  10. Add The Second Slap
  11. End it with the Climax
  12. Common questions about writing a novel

But before we dive right into those, we have to understand your unique writing method in order for you to understand novel writing in a way that’s best for you.

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How to Write a Novel in 11 Must-Do Steps [TEMPLATE]

Most novels and movies have five key points that make up the core of their story – it’s a formula that’s been around for longer than books have.

This may not even be something authors do intentionally but rather, these are what make a story (even spoken) good and captivating.

What’s more, these milestones are something that readers have subconsciously been trained to look for when digesting a piece of fiction—meaning, if your novel doesn’t follow these, it will feel like it’s “missing something” and isn’t satisfying.

In other words, if you don’t have these five key moments, your reader is likely to turned off of your story because it didn’t meet expectations set by the hundreds (if not thousands) of stories they have already digested before yours.

Let’s get started.

#1 – Craft your story idea & premise

This is really what will kick off your book. You probably already have an idea for writing a novel, and that’s why you’re here! The tricky part is taking a single idea and turning it into a full story.

If you’re like most fiction writers, the idea is very clear and very vivid. You’re just not sure what’s needed to turn it into a story. For that, we always go to the premise.

The premise of a novel is the overarching concept that sets up intrigue.

For example, in Hunger Games, the premise is: what if a society forced people to fight to the death—even children.

That is a single idea that holds a lot of promise for an intriguing story. It says, “there will be violence, heartache, and pain.” And to readers, that is perfect.

Here’s a guide for turning your novel idea into a premise and story:

  1. Ask yourself “what if” and write down several alternate paths your story could take
  2. Choose one of those ideas that holds the most promise for excitement, intrigue, and conflict
  3. Build a mindmap using this premise and branch out various possibilities
  4. Take your mindmap and begin building out the steps below

#2 – Develop characters

No novel can exist without great characters. Even the crappiest of plots can be saved by incredible characters. Spend time on this step of writing a novel!

Each main character should have a backstory, description, personality traits, and a purpose (or arc) for your novel.

Remember: you may build your characters as you build your plot and world. Each of these should compliment one another in the sense that they are building on to each other. You may have a character trait that is really, really inconvenient with the world. This will create additional conflict to add entertainment value to your story.

We have extensive blog posts to help with crafting characters we recommend reading for this section:

  1. Character development (with a profile you can download)
  2. Protagonist (building your main character)
  3. Anti-hero
  4. Character archetypes
  5. Character motivation
  6. Character arcs (how to write one)

#3 – Create your world

Even if you’re writing a romance novel set in the modern world, you still have to build your world. Oftentimes, the term “worldbuilding” can be synonymous with building the “setting” of your novel.

These are some questions you should be asking before you write your novel:

  • What is the weather/environment like?
  • What are the customs or cultural norms?
  • What is one unique or interesting part of this world?
  • What values do the people in this setting hold?
  • What type of financial systems exist here?
  • What types of things are considered “taboo” or wrong in this part of the world?

There are countless questions you can answer, and the type of novel you’re writing will dictate which questions to answer before you start.

We have more blog posts catered to advanced questions that go in-depth of this process you can read here:

  1. Worldbuilding (overview and questions)
  2. Fantasy worldbuilding
  3. Worldbuilding process (steps to build it!)

#4 – Choose your point of view

The point of view will totally depend on what you enjoy writing, the norm for your genre and target audience, and what voice fits best with the story you want to tell.

Many authors will have a certain point of view that is most comfortable for them, but you also have to keep in mind what is standard practice in the industry for your type of novel.

For example: Romance novels are often written in first person present tense, because romance readers want to feel very close to the main character (often a woman) because those readers like to put themselves in the shoes of that character.

However, epic fantasy is often written in third person past-tense because readers may have a hard time placing themselves as the main character in a world that’s so far from reality.

Obviously, there are exceptions to every rule. The key with writing rules is to know them and their purpose so you can break them intentionally.

Here are the different points of view you can write in:

  • first person present-tense
  • first person past-tense
  • second person present-tense
  • second person past-tense
  • third person present-tense
  • third person past-tense
  • omnicient present-tense
  • omnicient past-tense

If you can’t decide, find books that are similar to your idea and target audience (age-range) and choose which point of view is most common: this is likely the industry standard. But keep in mind, that if you write better and more naturally in a different tense, go with that one.

#5 – Outline your novel

Your novel will need direction. Even if you “can’t write from an outline,” you still have to know where your story is going if you want to craft it in a way that’s exciting.

There are two types of writers out there, and each will have a unique outlining method: plotters and pantsers.

A plotter is someone who plans out their novel with an outline before actually writing, whereas a pantser is someone who writes with seemingly no direction – they write by the seat of their pants.

Are you a plotter or a pantser? Fiction authors tend to fall into one of two buckets when writing their books.

Pantsers

These are writers who basically only have a few vague elements about the story in mind when they start writing, but nothing else. They may have an ending or at least a climax in mind for where they’re headed.

One of the most famous pantsers is Stephen King. In interviews, Stephen King has said that he often has an idea of the beginning, the premise, and a vague idea how it’s all going to end – and that’s all he needs to start writing his first draft.

Plotters

These are writers who need to know every major piece of their novel before they start writing. They have full, complete outlines that serve as a guide for their writing.

They will know who each and every one of their characters are, what their motivations are, the chapters needed for the book, chapter sections, and in some cases, even paragraphs. Probably the most famous plotter out there is James Patterson.

Knowing if you’re a plotter or pantser will dictate your entire writing process.

Clearly, it’s possible to be successful whether you’re a plotter or pantser. But here’s the harsh reality: whereas Stephen King and James Patterson sit on opposite extremes of the ‘Outline Spectrum’, most of us fall somewhere in between.

Either way, you’ll need some sort of structure for putting all the pieces of your novel together.

This is why we crated a fully functioning novel template you can use—that includes structure, tips for writing each section, along with front and back matter of the book for when you’re finished. Just fill out your info below and check your inbox!

How to Write a Novel: BOOK TEMPLATE

#6 – Write the first page

We’d love to say the first page isn’t all that important when writing a novel, but we all know that’s not true. The first page is often what helps readers decide to buy or pass on a novel.

This is especially true when you publish on Amazon and have the “look inside” feature.

The Amazon “look inside” feature acts as the same thing as a person flipping open a book to the first page in a bookstore. That is your opportunity to snag readers.

However, many first-time novel writers get caught up in writing the first sentence, which isn’t as important as the first page in full. We’ve found that by building the first page in a way that causes a reader to at least flip to the next page, you can snag them.

Why is this?

Because when a reader feels the need to keep reading, they subconsciously see our book as a “page-turner” and will buy it.

The best way to construct your novel’s opening is by doing this:

  1. start “in media res” which menas “in the middle”—typically of action, a character’s everday, or a tense situation
  2. Show (not tell) something interesting about your world that readers don’t get details about until the next page
  3. Use strong verbs and action to appeal to a reader’s emotions (this action hooks them)
  4. Hint at something that makes the reader feel sympathetic (or like) the main character

Here’s an example of a book’s first page that showcases these elements:

This first page works well because:

  1. we’ve established intrigue with the item Roian has found
  2. we’ve established sympathy by showcasing injury—in 2 ways
  3. we’ve started “in media res”, the everyday life of the main character
  4. we’re requiring the reader turn the page to actually learn more about the item, the “Robes”, and more
  5. we’ve created intrigue for the world by introducing 2 suns, which is out of the “ordinary”

#7 – The Setup when writing a novel

This is where you make your story promise and write an introduction that pulls readers in.

Here’s a solid resource for how to start a story if you need a few more tips.

You tell your reader what kind of story it will be – a comedy, drama, mystery, fantasy, sci-fi – and you give a few clues as to what they can expect. Whatever you said in these initial pages must be followed to the end of your story.

A stone-cold drama cannot turn into a slapstick comedy by the end of the story. That doesn’t mean a stone-cold drama can’t have humor in it, it just means that you can suddenly pivot and become an Adam Sandler movie.

Also, during the setup, we learn a little bit about:

  • The characters
  • Their everyday lives
  • Their challenges
  • The world they live in

We get a sense of where the story is heading.

One mistake made by first-time fiction authors is that they do not properly set up the story expectations and the reader goes in expecting one thing, only to get another.

Nothing annoys readers more, and so it is essential that during the setup phase of your novel, you set the expectations that you will meet during the book or you’ll lose those 5-star Amazon reviews that make such a difference.

The Setup of a novel example

In the Hunger Games, we meet Katniss. From her surroundings, it is obvious that she is poor, and as soon as she steps outside of her wooden shack we see hovering drones.

Within the first few pages of this book, we have learned three essential things:

  • This book is a drama
  • Katniss is our heroine and she has a miserable life
  • SURPRISE! There are drones and other technologies that indicate this to be a sci-fi
  • We are about to read a dystopia set sometime in the future

#8 – The Inciting Incident

The inciting incident is the moment in your story when your hero’s life changes forever. It is the ‘no-going back’ moment, where nothing that happens afterwards will return your hero’s world back to normal.

Katniss volunteers, Neo takes the red pill, Dorothy lands in OZ … the aliens are here!

As soon as your inciting incident happens, your story should be full throttle towards the climax.

The most common mistake first-time authors make is that their inciting incident is reversible. That means that something could happen that would return the hero’s life back to normal.

No, no, no!

Your inciting incident should as final as the severing of a limb or a death of a loved one. Nothing should be able to reverse the effects of your inciting incident has on your hero.

Inciting Incident in a Novel Example:

Katniss volunteers! In the Hunger Games, the inciting incident is irreversible because – quite literally – soldiers grab Katniss, whisk her away from her world, and into the world of the games.

There is no escape.

And even if she could get away, she would be hunted by the Capital for the rest of her life. With those two simple words, “I volunteer!” her life has changed forever.

Note: There is an exception to this rule when it comes to romances.

With romances, the inciting incident is almost always when the two lovebirds meet. (Not always, but for the vast majority of romances, this is the case.) With romances, try to create an inciting incident that simultaneously shows how perfect these two people are for each other while setting up the numerous reasons why they can’t be together.

#9 – The First Slap

Now, we are away to the races for writing a novel!

Over the next few chapters, your character should be making a series of gains and losses, where the aggregate result is that their situation is slightly better than what it was at the moment of the inciting incident.

The reason why we need this upward trajectory is because we are setting up the reader for the first slap.

The first slap is the moment when everything that our hero has gained is lost in fell swoop. Your hero is brought down to zero. In other words, all gains are lost, and your hero’s situation has never been bleaker.

The greater the fall, the more engaged your reader will be.

First Slap Example:

In the Hunger Games, Katniss’s world is brought down to zero when she actually enters the Games.

Between the inciting incident on the first slap, Katniss has made several gains, garnering the attention of the Capital and making some friends along the way. But none of that matters the moment she enters the Games – and what a moment it is.

#10 -The Second Slap

Your hero has rose to the challenge! They have successfully thwarted the big evil that has been thrusted upon them by the first slap and she is doing well.

…Now it is time to bring her back to 0 again.

The second slap should be as harsh, if not harsher, than the first slap. This is the moment when the reader should be looking at your book and thinking, “Wow, this author is mean. Diabolical villain mean!”

In the second slap we are setting up for the climax, which means that the hero needs to have an out. In other words, there should be some semblance of hope.

Second Slap Example:

In the Hunger Games, the second slap is when the Game Masters announce that two tributes can survive the Games should they both be from the same district.

Katniss goes looking for Peeta, only to find him mortally wounded – he is bleeding to death and won’t survive the next few hours, let alone the rest of the Games. We know enough about Katniss to realize that Peeta dying is the worst thing that could happen to her (besides her own death).

But there is hope!

An announcement is made that there is something at the cornucopia that the Tributes need, and Katniss just knows that there is medicine there for Peeta.

#11 – The Climax

The rollercoaster that you’ve put your reader on is almost over.

The reader has gone from an engaging setup where they get to learn about your characters and world to the inciting incident where everything is turned on its head.

Then they are subjected to the first and second slaps where you embrace your inner sadomasochist in order to punish your hero and give the readers the thrills they so richly deserve.

Now it is time to wrap it all up with the climax.

There is only one rule to the climax. A rule that must be adhered to, no matter what genre you are writing in:

Make it amazing! The climax should be the moment where your reader puts down the book and goes, “Holy S&*%! That was awesome!”

Novel Climax Example:

The climax in the Hunger Games is the final confrontation between Katniss and the remaining Tributes, as well as the monsters that the Game Masters send after her. It is wrought with danger and excitement.

But what makes the climax truly kickass is the poisonous berries at the end.

If you don’t know what I’m talking about, pick up a copy of Hunger Games today and read it! You’ll immediately get why this scene is so amazing.

There you have it: writing a novel is made much easier with your 5 key milestones. This method is particularly effective for first-time authors who are still finding their writing feet (or should I say typing fingers) and is an awesome resource that experienced writers can rely on time and again when planning their stories.

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Common Questions About Writing a Novel

Now that you know the 5 key milestones of a gripping novel readers will love, let’s consider some of the common questions people have.

—How do you plan a novel?

Planning a novel involves coming up with your plot, character development, knowing your audience, and outlining your book.

  1. Coming up with your plot involves knowing which genre you want to write or even utilizing a list of writing prompts to get your thoughts moving.
  2. Character development is one of the most vital parts of your novel. Take the time to know your characters and protagonist well before you start writing in order to better plot your novel to fit how they act.
  3. Your audience will dictate the type of content in your plot. You can always plot first and then decide if you’ll be writing young adult, new adult, adult, or even middle grade. Just make sure you categorize your novel correctly in order to reach the right audience.
  4. Once you know the above, you’re ready to outline your novel. First, however, you have to figure out if you’re a pantser, plotter, or somewhere in between before you can outline your book.

If you want to have a solid fill-in-the-blank template, we have a book outline template generator available above for you!

—What should I write a novel about?

You should write a novel about any idea or theme that excites or inspires you. 

If you’re stuck for inspiration, consider using a writing prompt to give you an initial story seed your full novel can eventually bloom from. 

Many writers take inspiration for their novel from their own lives. Is there an event you’ve lived through that makes for a compelling story? How about a memorable person you’ve known that you could fictionalize?

You can also take an emotional truth you’ve experienced and apply it to a different context. Even if the situation of your novel differs from your life, the emotional authenticity will shine through. 

You can also let your imagination run riot and see where it takes you. Picture an entirely different world from ours. Go crazy brainstorming ‘what if x happened to y person’ scenarios.

—How Many Words should be in a Novel?

The exact number of words that make up a novel varies greatly depending on the genre and personal taste, however, a book is considered a novel if it has more than 50,000 words.

But that doesn’t mean your book will be that long. You have to learn how many words are in your novel.

Below is a table detailing how many words make up a novel in each respective genre, as some are typically longer than others.

Type of WritingWord CountPages in a Typical BookExample
Short story100 - 15,000 1 - 24 pages"The Gift of the Magi" by O. Henry
Novella30,000 - 60,000100 - 200 pages"A Clockwork Orange" by Anthony Burgess
Novel60,000 - 100,000200 - 350 pages"Harry Potter and the Sorcerer's Stone": by JK Rowling
Epic Novel120,00 - 220,000+400 - 750+ pages"Game of Thrones" by George R.R. Martin

Keep in mind that these are a baseline. You want to make sure your novel is in the ballpark word count for your genre and target audience but just remember that you can easily go over or under depending on how well the story is crafted…

…and if it covers our 5 key milestones – it will be crafted well.

—How do I get started writing a novel?

Getting started with novel writing depends entirely on you and your situation.

If you already have an idea in mind, you can start by outlining your plot, or jumping straight in if you’re more of the panster school of thought.

If you don’t have an idea, you could aim to come up with as many as possible using some of the techniques you’ve read here. Coming up with a large number of novel ideas gives you a good chance of finding something you love and want to pursue further.

You can also consider setting out a project plan for your novel. How many writing sessions will you need? When will you schedule them for?

No matter how you go about starting your novel, the important thing is to build momentum and a sense of excitement to propel you forward. 

—How do I choose a point of view when writing a novel?

It can be tricky to know which point of view to choose when writing a novel, especially if it’s your first time. 

The most common choices are first-person and third-person. 

Most published novels are written in the third person. You can read about the different points of view here and decide which is the best fit for the novel you want to write. 

—Should I edit my novel as I write?

It’s often a bad idea to edit your novel as you write. Doing so results in a loss of momentum and flow that inhibits your progress towards a complete first draft. 

If you self-edit on the fly, you often end up second-guessing yourself and losing that delicious sensation of being swept away by the story. 

—Are there books on how to write a novel?

Yes, there are a large number of books on novel writing. 

Some of the best out there include: 

  • On Writing by Stephen King. A mixture of King’s personal story and actionable advice on the craft of writing. Seeing King’s exact process for drafting and redrafting his work is invaluable for any aspiring novelist. 
  • How to Write Bestselling Fiction by Dean Koontz. A popular guide to crafting fiction novels, recommended by successful novelists such as Jerry Jenkins. 
  • Writing the Breakout Novel by Donald Maass. This book offers the perspective of Maass, an author who is also a literary agent. This background provides useful insight to guide your next novel.

Are you ready to start your novel writing adventure?

The 5 Key Milestones combined with a spot-on Premise and A-Story will tell you where your story starts, where it is headed and how it will end.

In other words, if you do the novel writing exercises above, you should have everything you need to get your novel to the finish line.

FREE Fiction Training! Learn the craft...  Learn how to write a strong fiction story readers love and launch your fiction  career...without compromising on quality (or taking YEARS to make it happen)!  YES! GET THE TRAINING!

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R.E. Vance

Ramy Vance is a Canadian who lives in Edinburgh with his wife, three-year-old kid and imaginary dog. With over 14 years experience in both traditional and self-publishing, Ramy is the bestselling author of over 13 novels and has helped nearly 450 aspiring writers with their publishing goals. Recently Ramy created Self-Publishing School’s Fundamentals of Fiction to help aspiring novelists tell their stories.

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